Jim Mezon

 Canadian Stage will present the Canadian premiere of the celebrated award-winner THE INHERITANCE: PARTS 1 & 2, running March 22 – April 14.

Get the scoop on Buddies in Bad Times Theatre's highly anticipated 45th anniversary season, featuring a vibrant lineup of LGBTQ+ theatre productions and events. From groundbreaking performances to thought-provoking stories, this season promises to captivate audiences. Book your tickets now and be part of the celebration!

BroadwayWorld caught up with Peter Krantz, Jesse Dwyre, and George Masswohl to talk about bringing this show to Brampton ahead of opening night!

The 1976 satire film comes to life on stage.

Can audiences 'handle the truth?' That is the pivotal question at the centre of the famed legal drama A Few Good Men, which opens the highly-anticipated 2020 Season at the St. Jacobs Country Playhouse. The hit play about military corruption and the quest for justice will be on stage for three weeks only from March 4 to March 22.

The examination of existence, language, and self is nothing new within the walls of a theatre, but KNIVES IN HENS manages to expand on all these themes a?" and then some a?" using straightforward and highly effective text in this new production of the 1995 David Harrower play.

COAL MINE THEATRE kicks off its powerhouse Season Six with a tremendous modern Scottish classic. A slight departure from its regular programming, the world-renowned KNIVES IN HENS by David Harrower takes the audience on a sensual journey into the world of a young woman grappling to find her freedom and power through language.

COAL MINE THEATRE, Toronto's Off-Off Broadview Theatre, has just announced its extraordinary Season Six. THE COAL MINE will stage four critically acclaimed, and Toronto premiere productions in 2019/2020, all presented in their singular and intimate eighty-seat theatre in the east end of Toronto. 

Electric Company Theatre presents the world premiere of Daniel Brooks' groundbreaking new work, The Full Light of Day, directed by Kim Collier, from January 7-12, 2019 at the Vancouver Playhouse.

I'll start by saying that LEAR was one of the most powerful theatrical experiences I've ever had. Led by a cast of Shakespeare professionals, with vast Stratford Festival experience, Groundling Theatre's production is a polished, compelling piece of theatre. Dropping 'King' from the title, LEAR explores the play with a female in power - entrapping us with the familiarity of a female monarch. Every aspect of Graham Abbey's production, designed by Peter Hartwell, serves a contemporary emphasis, seducing a modern audience to deeply feel and deeply connect with the humanity that can often feel very distant in Shakespearean drama.

Graham Abbey, Groundling Theatre Company's founder and artistic director, today announced the theatre company's next production is William Shakespeare's LEAR, starring Seana McKenna in the title role.

McCAMUS IS BRILLIANT AS KING GEORGE III Mental illness in the 18h Century, aka madness, was as in some respects as poorly understood and accepted then as it is today. Being a monarch would imply that the best care would be at your disposal, but when the malady is unknown, even King George III of England suffered with the illness and often moreso with the treatment. Alan Bennett's 1991 play THE MADNESS OF GEORGE III is being given a lavishly detailed production at the Shaw Festival in Niagara on the Lake. George may be best known as the monarch who lost control of the American colonies in 1776, but he was dealt a worse fate, suffering from Acute Intermittent Porphyria. This disease, which was uncharted at the time, caused periods of confusion, psychosis with unintelligible speech, horrible abdominal pain and itchiness. His production of a blue colored urine was the first medical sign that something was amiss with the King.

When the Shaw Festival's 2017 production of Bernard Shaw's Saint Joan begins previews on May 3 at the Festival Theatre, it marks two milestones for Artistic Director Tim Carroll - a Shaw Festival directorial debut and his first undertaking of a work by the Festival's namesake. His production joins the tradition of earlier presentations of Saint Joan by former artistic directors Christopher Newton and Jackie Maxwell in 1981 and 2007, respectively.

Equal parts political comedy and biographical drama, Alan Bennett's The Madness of George III explores the dangerous consequences when a king who loses control of his body, words and mind in the midst of his rule. The Madness of George III debuts at The Shaw's Royal George Theatre on April 11.

The Shaw Festival proudly announces casting for Artistic Director Tim Carroll's first season. The Shaw's 2017 ensemble is a mix of new faces and Festival favourites - each actor ready to entertain and excite audiences in this season's 11 productions.

THE DANCE OF DEATH, August Strindberg's groundbreaking play in a new version by renowned Irish playwright Conor McPherson, begins previews on July 13 at the Shaw Festival's Studio Theatre.

Both Engaged and A Woman of No Importance have been delighting preview audiences in advance of their openings this weekend. Having already extended both productions earlier this year, the Shaw Festival continues to respond to audience demand by adding another seven performances to the 2016 season. Also, a new block of tickets for the sell-out of the 2016 season The Dance of Death is now on sale.

A Woman of No Importance, Oscar Wilde's stylish comedy that exposes the cynicism and hypocrisy that underlies high "society", begins previews Sunday, May 29 at the Festival Theatre. This dangerous drama, directed by Eda Holmes, is the fourth major Wilde play to be presented under Artistic Director Jackie Maxwell's tenure - completing Wilde's brilliant, scalpel-like study of the world around him.

"In her final year as Artistic Director, Jackie has programmed a season that showcases the diversity and strength of work created here at the Shaw Festival and our patrons have responded enthusiastically," said Tim Jennings, Executive Director of the Shaw Festival. "Based on the first month of sales, we've decided that we need to provide more opportunities to see some of the Festival's highlights."

Artistic Director Jackie Maxwell and the Shaw Festival announce principal casting and the creative teams for the 2016 playbill. The 2016 season features new and core ensemble members and beloved returning artists celebrating Ms. Maxwell's final season and 14-year tenure at The Shaw.