Fotini Dimou

The main problem is that the characters tend to dwindle down to two-dimensional figurines. We’re met by a garish personality and extravagant attitude, but we’re never offered enough reason and rationale to support them. There’s a bountiful of themes buried inside - from the more evident dysfunctional mother-daughter relationship to bare resentment, political strategy, and class restraints in it - but De Angelis skims through for the benefit of cheap laughs and funky sarcasm.

Retirement concerns and empty-nest syndrome will be familiar issues to many and are ripe for both exploration and satire. Despite these juicy subjects, Belinda Lang’s adaptation of Gérald Sibleyras and Jean Dell’s comedy An Hour And A Half Late, has amusing moments, but fails to make a lasting impression.

The cast and creatives have been announced for AVA: The Secret Conversations, the spellbinding new play from Elizabeth McGovern based on the book by Peter Evans and Ava Gardner. Taking to the stage with Academy Award-nominee McGovern (Downton Abbey, ITV), who stars as Ava, is Anatol Yusef (Boardwalk Empire, HBO; Punisher, Netflix) as Peter Evans, the journalist Ava hired to write her autobiography when she lived in 1980s London.

Richard Alston is a man who doesn't need reviews any more. With a choreographic career spanning over fifty years (“entirely lacking any strategic plan” by his own admission), there is not much that hasn't been said. Alston is also adamant that this Final Edition is a celebration and not a funeral but there are moments in his generous mixed bill that feel heavily bittersweet. With the company closing after 25 years due to funding restrictions, Alston's work could always be guaranteed to bring quality additions to the dance calendar and its absence will be sorely felt.

'Persona', the world premiere of a new theatrical adaptation of Ingmar Bergman's 1966 iconic Swedish psychological movie - considered by many critics as one of the greatest films ever made - is to be the opening production in Studio 3 of the new Riverside Studios.

Over 30 years after it first premiered at the National Theatre, David Hare's The Bay at Nice is back in London at the Menier Chocolate Factory.

Richard Alston Dance Company has announced the programme for its 2019 Sadler's Wells season. Following the announcement of the company's closure in 2020, this will be the first of its final two seasons there. As the company enters its 25th year, it will present two works by Alston and one by the company's associate choreographer, Martin Lawrance under the title Quartermark.

Richard Alston choreographed his first work in 1968. Now, 50 years and over 140 dance works later, he celebrates this landmark with Mid Century Modern, which draws on the span of his work.

Fresh from a sell-out 2016 UK Tour, Edward Fox is to return to the West End in the celebrated one-man play exploring the life and work of John Betjeman, Sand in the Sandwiches, for a strictly limited London run.

Over the last few years, Peak Performances has become a New York / New Jersey home for the work of Richard Alston Dance Company (RADC), one of Britain's foremost contemporary dance companies.

Over the last few years, Peak Performances has become a New York / New Jersey home for the work of Richard Alston Dance Company (RADC), one of Britain's foremost contemporary dance companies.

Gary Naylor enjoys a Tennessee Williams play full of sharp dialogue, tenderness and the poignant loss of missed opportunities.

The Print Room presents Tennessee Williams' rarely performed A Lovely Sunday for Creve Coeur, which opens the theatre's new Autumn season. Michael Oakley directs Debbie Chazen as Bodey, Hermione Gulliford as Helena, Laura Rogers as Dorothea and Julia Watson as Miss Gluck. The production opens in the main theatre space on 15 September, with previews from 12 September and runs until 7 October. Click below to watch a new trailer for the production!

Edward Fox is to star in a new play, Sand in the Sandwiches by Hugh Whitemore, which celebrates the life and work of John Betjeman. Directed by Gareth Armstrong, the production will premiere at Oxford Playhouse on 25 October 2016 followed by a UK tour visiting the Minerva Theatre Chichester, Yvonne Arnaud Theatre Guildford, Exeter Northcott Theatre, Salisbury Playhouse and culminating with a final performance at the Folkestone Book Festival on 24 November 2016. Tickets are now on sale.

Artistic Director of The Print Room at the Coronet Anda Winters today announces the full cast for Tennessee Williams' rarely performed A LOVELY SUNDAY IN CREVE COEUR, which opens the theatre's new Autumn season. Michael Oakley directs Debbie Chazen as Bodey, Hermione Gulliford as Helena, Laura Rogers as Dorothea and Julia Watson as Miss Gluck. The production opens in the main theatre space on 15 September, with previews from 12 September and runs until 7 October.

Artistic Director Anda Winters today announces Print Room at the Coronet's forthcoming season running through until December 2016. The season opens with Tennessee Williams' A Lovely Sunday for Creve Coeur, directed by Michael Oakley. The production opens in the main theatre space on 15 September, with previews from 12 September, and runs until 7 October.

Take one part “Casablanca,” a taste of Bernstein's CANDIDE, some Alfred Hitchcock and you get Sir Richard Eyre's film noir concept for the Met's new MANON LESCAUT, now set in France in the 1940s, complete with Nazis. Tack on that behind-the-scenes drama of “Roberto Alagna to the rescue”--when tenor Jonas Kaufmann cancelled at the last minute--and add the visual and vocal glamour of soprano Kristine Opolais and you have, well, a messy-but-enjoyable evening at the opera.

The Met's new production of Puccini's MANON LESCAUT opens February 12 with Kristine Opolais as the seductive, tragic heroine and Roberto Alagna in a role debut as her ardent lover, the Chevalier des Grieux.

The Met's new production of Puccini's MANON LESCAUT opens February 12 with Kristine Opolais as the seductive, tragic heroine and Roberto Alagna in a role debut as her ardent lover, the Chevalier des Grieux.

Beginning September 23, the Royal Shakespeare Company's acclaimed production of Shakespeare's Othello will play in select movie houses across North America. The production, which opened to rave reviews at the RSC's home in Stratford-upon-Avon, was filmed for 'Live from Stratford-upon-Avon,' the RSC program that screens the world's greatest classical theatre company from Shakespeare's home town around the world through a continued partnership with Picturehouse Entertainment. Below, we are excited to bring you an exclusive clip of Act 3, Scene 3!