R. Scott Reedy - Page 2

What did our critic think of BECOMING A MAN at Loeb Drama Center?

When it comes to concerts, Audra McDonald says she’s learned to choose a song list that really appeals to her. And she’s done just that for her current tour, which will bring her to Symphony Hall for her eighth appearance with the Celebrity Series of Boston, this time with an orchestra of local musicians, on February 27.

What did our critic think of THE ANONYMOUS LOVER at Boston Lyric Opera?

What did our critic think of ALL THINGS EQUAL: THE LIFE & TRIALS OF RUTH BADER GINSBURG at Emerson Colonial Theatre?

What did our critic think of VOICE OF NATURE: THE ANTHROPOCENE at Symphony Hall? With her sold-out Celebrity Series of Boston performance this past Sunday at Symphony Hall, Renée Fleming offered a splendid reminder, although none is needed, of why she is widely considered to be the preeminent American soprano of today.

What did our critic think of A CASE FOR THE EXISTENCE OF GOD at SpeakEasy Stage Company?

By telephone recently from a tour stop in her hometown of New Brunswick, N.J., Londino talked about Miss Hannigan and more.

What did our critic think of STAND UP IF YOU'RE HERE TONIGHT at The Huntington Theatre?

What did our critic think of TROUBLE IN MIND at The Lyric Stage Company of Boston?

North Reading resident Greg Kalafatas was studying theater at the University of New Hampshire when a road trip with friends to see the Broadway production of “Hairspray” introduced him to a character that has become his dream role – Edna Turnblad, the  zaftig housewife-and-laundress with a big heart.

When actor and singer Robert Petkoff was cast to play Harold Zidler in the North American tour of “Moulin Rouge! The Musical,” there was no question about his knowing the score.

What did our critic think of REAL WOMEN HAVE CURVES: THE MUSICAL at Loeb Drama Center? The American Repertory Theater’s world-premiere production of “Real Women Have Curves: The Musical” – at Cambridge’s Loeb Drama Center through January 21 – proves that a serious story about the very real challenges facing undocumented immigrants can also be a funny, spirited, and joyous celebration of the power of family and community.

What did our critic think of A VERY DARREN CRISSMAS! at Emerson Colonial Theatre? Making his way to the stage of the Emerson Colonial Theatre on the recent Boston stop on his “A Very Darren Crissmas!” tour – by going up, down, and around the sold-out venue – Darren Criss transported his eager audience from their seats to the palm of his hand.

What did our critic think of A CHRISTMAS CAROL: A MUSICAL GHOST STORY at North Shore Music Theatre?

Ana Gasteyer’s hilarious impersonations of everyone from Martha Stewart, Hillary Rodham Clinton, and Jane Fonda to music icons Madonna and Celine Dion, not to mention her memorable characters, such as middle-school music teacher Bobbie Moughlan-Culp, made her a break-out star during her six years on “Saturday Night Live.”

What did our critic think of THE HEART SELLERS at Wimberly Pavilion, Boston Center For The Arts? Whether you spend them alone or with family or friends, the holidays can be emotionally charged times awash in memories, loneliness, and uncertainty. Those feelings can, of course, be compounded for people new to America and unfamiliar with its traditions.

Jane Lynch says she’s been a fan of Christmas music since her very earliest days. So it’s not surprising that the actor, singer, and comedian has made holiday music a regular part of her performing life.

What did our critic think of THE BAND'S VISIT at The Huntington Theatre?

What did our critic think of HOW I LEARNED TO DRIVE at Roberts Theatre, Calderwood Pavilion At Boston Center For The Arts?

What did our critic think of BLUE MAN GROUP at The Charles Playhouse? Blue Man Group has been in residence at Boston’s Charles Playhouse for so many years, that – with the exception of tourists and new-to-town college students – it’s probably been a long time since local theatergoers have given the show much thought.