Nathan Johnson

In SAUNA BOY, Dan Ireland-Reeves offers audiences a captivating and intimate glimpse into London’s gay bathhouse culture. Dan effortlessly draws laughter from the audience as we follow his journey from his initial interview at the sauna to its climactic final days. Dan seamlessly embodyies a variety of vivid and fully realized characters.

Adam Sank is a comedy mainstay in the queer community, so it's no surprise that BAD DATES was awarded not just one, but two BroadwayWorld Cabaret Awards last year. With sold-out runs in NYC, Wilton Manors, and Palm Springs, and now two encore performances, I had to see what all the fuss was about. It all boils down to one simple factor: Adam Sank.

In a city with no shortage of stars, Orfeh shines among the brightest. Catch her at Café Carlyle on 3/23. Equal parts class and sass, Orfeh sings like a master, exuding calm, cool, and effortless charm. Despite the awe-inspiring vocal pyrotechnics, the petite powerhouse never breaks a sweat. The evening was nothing short of perfect.

THE TITANS OF MEDIA TRILOGY: MARTHA STEWART is a delight for the senses. From the moment Rafferty steps onto the Joe’s Pub stage, the atmosphere crackles. His infectious energy is a firecracker of joy and passion and once that fuse is lit, there’s no going back.

The Love Ball is a spectacle of wigs, fashion, makeup, body, and talent. It’s part concert, part pageant, part Paris Fashion Week, part multimedia Broadway-level production, with first-class performers at the top of their game that needs to be seen to be believed.

The 70-minute show kicked off with the festive'Happy Holidays,' establishing the cheerful tone for the entire night. By the second song, the entire audience was joyfully singing along, creating a sense of community that held until the final bow.

When the charismatic bartender at Joe’s Pub takes it upon himself to kick off the evening with an unprompted “I've seen this show three times. It's unbelievable,” you just know you're in for an extraordinary experience. And let me assure you, he wasn't exaggerating. It's not just great; it's freakin' awesome.

If I were to ask a hundred people, 'Who wants to attend an eighty-minute show about death?' I'm reasonably certain that at least ninety-percent would say, “I’m busy!' In most instances, those ninety percent would have saved themselves from a dull evening. However, in the unique case of David Dean Bottrell, they would have been dead wrong.

We are only just seeing the tip of the stardom that Mamie Parris is destined to achieve.

Psycho Clan and ETR Ventures' latest immersive horror venture, 'Nightmare Dollhouse,' is chilling, to say the least. With twenty-one seasons under their belt, it's safe to say they know a thing or two about delivering spine-tingling thrills. What sets this venture apart is its unique concept. While haunted houses often feature the expected blood, gore, monsters, and zombies, I've never encountered one 'inspired by the weirdest and scariest roadside oddities.'

There are people who entertain, and then there are those destined to take the stage. Mark Nadler is undeniably the latter. His show, 'Mark Nadler, Crazy 1961,’ is a testament to his innate talent, making him one of the most outstanding (and ‘Crazy’) figures to emerge from that remarkable year.