Jennifer Perry has been a DC resident since 2001 having moved from Upstate New York to attend graduate school at American University's School of International Service. When not attending countless theatre, concert, and cabaret performances in the area and in New York, she works for the US Federal Government as an analyst. Jennifer previously covered the DC performing arts scene for Maryland Theatre Guide and DC Metro Theater Arts. In addition to writing for BroadwayWorld, she covers cabaret and musical theatre-related concerts for DC Theatre Scene.
BWW Reviews: Prog Metal Version of FRANKENSTEIN Debuts at Landless Theatre June 16, 2013
Even if there are some missteps, I give Landless Theatre Company applause for the ambition alone and daring to do something a bit different.
BWW Reviews: Celtic Woman's Ethereal Sound Comes to Wolf Trap June 16, 2013
Judging by this concert, it's easy to see why Celtic Woman is a worldwide sensation.
BWW Reviews: Touring Cast of ROCK OF AGES Ignites Audience at Wolf Trap's Filene Center June 8, 2013
Thanks to a triple threat cast with energy to spare, this silly show is one to see!
BWW Reviews: Sardonic and Witty, BECKY SHAW Makes Area Premiere at Round House Theatre June 4, 2013
When newly-minted Round House Theatre Producing Artistic Director Ryan Rilette announced that Gina Gionoffrido's Becky Shaw would replace another show - selected by his predecessor - in the theatre company's current season, I was pretty interested to see how it would turn out. I had the chance to check out the 2009 New York premiere at Second Stage Theatre and was largely impressed with not only the cast, but the play itself. Not your run of the mill kind of schmaltzy and cutesy romantic comedy, this play veers toward the edgy and dark side while offering valuable insights on human relationships and related boundaries/rules of the road with the help of some richly drawn characters.
BWW Reviews: Woolly Mammoth Premieres Posner's STUPID F##KING BIRD June 3, 2013
Angsty, raw, and real, this play does not shy away from the hard, but well-discussed philosophical questions about art, reality, love and life and what it all means.
BWW Reviews: CLEMENTINE IN THE LOWER NINE at Forum is Haunting, Dynamic June 2, 2013
Forum Theatre's production of this riveting drama is - like the company itself - ambitious, heartfelt, and raw.
BWW Features/Reviews: Extraordinary Young Talent on Display in Act 2 @ Levine NEXT TO NORMAL May 20, 2013
The production was real, raw, and unflinching. Artistic Director Kuchar says he chooses shows that will inspire kids and cause them to think. This show certainly does that and can also impact the audience. Kudos to this wonderful program.
BWW Reviews: Kensington Arts Theatre Presents RAGTIME May 12, 2013
KAT is nothing if not ambitious.
BWW Reviews: Keegan Delights Audiences with THE FULLY MONTY May 8, 2013
Overall, is this show perfect? No, but what show is? I give Keegan kudos for taking it on and it will no doubt entertain many a DC theatregoer.
BWW Reviews: GHOST-WRITER Showcases Lynskey's Acting Talent at MetroStage May 5, 2013
This show is worthy of a look if only for the brilliance that is Susan Lynskey's heartbreaking acting.
BWW Reviews: Studio 2nd Stage Presents PAS DE DEUX – Two Plays from New Zealand and Canada April 29, 2013
Visceral, evocative, and charged with energy, New Zealand's Gary Henderson's 'Skin Tight' and Canada's Daniel MacIvor's '2-2 Tango' - both of which comprise Studio 2nd Stage's 'Pas de Deux' theatrical event - stand fine on their own but are even better as a pair.
BWW Reviews: No Rules Premieres THE PERSONAL(S) April 29, 2013
No Rules takes a chance on an untested work and makes a solid attempt.
BWW Reviews: Roald Dahl's THE MAGIC FINGER Premieres at Imagination Stage April 28, 2013
'The Magic Finger' offers a thoroughly entertaining glimpse at the power of speaking up about what's right.
BWW Reviews: Roald Dahl's JAMES AND THE GIANT PEACH Comes to Life at Imagination Stage April 21, 2013
Imagination Stage's delightful creativity makes this show one to see.
BWW Reviews: HOW TO WRITE A NEW BOOK FOR THE BIBLE Makes East Coast Premiere at Round House Theatre April 16, 2013
This play is ultimately quite compelling.
BWW Reviews: Gia Mora Brings EINSTEIN'S GIRL to Bethesda Blues and Jazz Supper Club April 14, 2013
Cabaret and physics? Who would have thought? Yet, Gia Mora makes it all work.
BWW Reviews: Synetic Teens Take on TAMING OF THE SHREW April 13, 2013
Future Synetic stars are emerging in this production.
BWW Reviews: Arena Stage Production of THE MOUNTAINTOP Packs Powerful Punch April 8, 2013
This production is a must-see.
BWW Reviews: Taffety Punk Presents Innovative OXYGEN April 7, 2013
This show is worth a look for the adventurous DC theatregoer. One has to admire Taffety Punk's ambition.
BWW Reviews: Mike Daisey Returns to Woolly Mammoth with AMERICAN UTOPIAS April 3, 2013
There's nothing like seeing Daisey do what he does best. Few other men sitting behind a table can leave an audience mostly, if not completely, riveted.
BWW Reviews: Arena Stage Premieres Period Drama MARY T. & LIZZY K. April 1, 2013
This is a well-presented and well-acted production of a problematic play.
BWW Reviews: JASON INVISIBLE Premieres at Kennedy Center, Explores Tough Psychosocial Issues March 25, 2013
It's definitely worth checking out this show. Many kudos to the Kennedy Center and VSA for taking a chance on this one.
BWW Review: Sweden's LITTLE KING MATTIAS Delights Children at Kennedy Center March 10, 2013
This production offers one of the most interesting examples of interactive theatre that I've seen in recent memory. Put succinctly, it's a delight.
BWW Reviews: Acclaimed Finnish Production, THE WARMBLOODED, Makes US Premiere at Kennedy Center March 4, 2013
'The Warmblooded' is heartfelt, powerful, and engaging.
BWW Reviews: Water-filled Stage Not the Only Reason to See Synetic's THE TEMPEST February 24, 2013
This production is immensely entertaining and mesmerizing.
BWW Reviews: Silent AUGUST Reveals Truths About Humanity at Kennedy Center February 24, 2013
'August' is successful thanks to the fine concept, and brilliant execution by four talented actors.
BWW Reviews: ASHLEY BROWN'S BROADWAY with the Baltimore Symphony – Young Talent Charms Strathmore Audience February 22, 2013
Ashley's joy at performing is infectious and she has the talent to back it up.
BWW Reviews: Broadway Hit GOOD PEOPLE Comes to Arena Stage February 21, 2013
Arena's production is authentic, believable, and engaging.
BWW Reviews: Woolly Mammoth's THE CONVERT is Compelling, Insightful February 18, 2013
Woolly has done justice to this ambitious piece and I, for one, am happy they have included a truly dramatic play in its season - particularly one as compelling as this.
BWW Review: Taffety Punk Puts Own Spin on Shakespeare's TWELFTH NIGHT February 17, 2013
In a town where there seems to be a Shakespeare play going on nearly every month, it's easy to get lost in the shuffle. Taffety dares to be different and it pays off.
BWW Reviews: GLENGARRY GLEN ROSS at Round House Theatre – Stellar Acting, Incredible Production February 12, 2013
Round House Theatre has a hit on its hands.
BWW Reviews: Signature Theatre's SHAKESPEARE'S R&J Is Raw and Powerful February 11, 2013
The Calarco-directed production succeeds thanks to some marvelous production concepts and four stellar young actors.
BWW Reviews: No Rules Theatre Company's BLACK COMEDY is Uproariously Funny February 11, 2013
Uproariously funny, it's a master class in physical comedy.
BWW Reviews: Imagination Stage's ANIME MOMOTARO Gives the Traditional a Modern Twist February 10, 2013
Imagination Stage has yet another successful production on its hands with this one. It's definitely recommended.
BWW Reviews: Studio's MOTHERF***ER WITH THE HAT Takes Darkly Comedic Look at America's Underbelly February 6, 2013
This production is recommended for the fine acting. A talented group of actors and designers give us a realistic story of America's underbelly.
BWW Reviews: MetroStage's LADIES SWING THE BLUES Goes Old School February 3, 2013
The music alone is reason enough to see this show.
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