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BWW Interviews: Michael Mayer and Tom Kitt Talk AMERICAN IDIOT Tour

BWW-Interviews-Michael-Mayer-and-Tom-Kitt-talk-American-Idiot-20010101

American Idiot was a surprise smash hit on Broadway in 2010, and last week the 1st National Tour of the production launched in Toronto.   Arguably one of the most anticipated shows of Toronto’s 2011 season, the current tour cast features four Canadians, including Jake Epstein as Will and Scott. J Campbell as Tunny.

American Idiot first premiered at Berkeley Repertory Theatre in September 2009 and played through November of that year before opening on Broadway in April 2010.  Hailed by the New York Times as “the most adventurous musical to brave Broadway in the past decade” and The Toronto Star as “the first great musical of the 21st century”, the show was nominated for Best Musical at the 2010 Tony Awards and took home two awards that year. 

Based on the award-winning Green Day album of the same name, American Idiot takes the songs and characters from that album and brings them to life on stage.  Applauded for its creative use of lighting, costumes and set design, the show promises to be a feast for the eyes and the ears.  

BWW had the opportunity to speak with Director Michael Mayer and Music Supervisor Tom Kitt about launching the tour in Toronto, the changes they’ve made to the production and the responsibilities of working on a show that appeals to such a wide and diverse audience:

Congratulations on launching the National Tour of American Idiot! Why Toronto and why now?

MM: I love Toronto! I came up here for our big American Idiot casting call, and filmed “At Home At The End of the World” here in 2002 and spent a lot of time in the city.  I was really disappointed I didn’t get to see Spring Awakening during its Toronto run (with two Canadians in the lead, Kyle Riabko followed by Jake Epstein) so I’m thrilled to get to see American Idiot launch here.   I’m into the Canadians, what can I say?

TK: This is my first time here but it’s a great, wonderful city for theatre and the houses so far have been wonderful.  People here seem excited for the show in general which is always good – and I’m noticing that it isn’t just people who know Green Day but also many people who are here to experience the music for the first time.

One thing we often hear in Toronto is that our audiences are much more “reserved” than on Broadway.  Do you think this will be the show to get Torontonians rocking in their seats?

TK:   I think that the power of the show is undeniable, and I think this show reaches out to a large audience and the emotions that the show brings out when you watch it here are hard to resist.  Whether people are screaming or sitting quietly and taking it all in, the journey and the effect on them has been the same.  I can see it in the audience, even when they aren’t vocal, this show makes an impact.

We are thrilled to see four Canadians in the production, two of whom are in lead roles.  How are our Canucks doing?

TK:  They are fantastic! They’re remarkable performers and wonderful human beings and we are thrilled to work with them.  We know how much it means for them to be here and we feed off that energy.  We want this venture to be successful and life affirming because they have so much pride and desire to perform here.

MM: They’re really doing great and are an amazing bunch of kids.  We’ve got Gabriel Antonacci going on for Van Hughes (as Johnny) next Friday night and Saturday matinee, and when that happens all three lead ‘American Idiots’ are going to be played by Canadians on a Toronto stage.  That’s pretty incredible.

What kinds of changes have been made to the production since Berkeley and Broadway?

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Kelly Cameron's love affair with the theatre began when she was just five years old, on an outing to see the Original Canadian Cast of Les Miserables at the Royal Alexandra Theatre in Toronto. She instantly fell in love, and since then has been lucky enough to be involved in various theatre activities and productions, including a regional production of A Midsummer Night's Dream and a local production of Where the Sidewalk Ends. She has also received training from various teachers throughout Southwestern Ontario in both piano and voice, and competed in vocal competitions for which she received a few awards. Her writing career started almost by accident, when she had the opportunity to become a ghostwriter for up and coming businesses. She continues to do this, writing the content for all sorts of companies who are starting websites and looking to find their voice.

Her passion and love for theatre led to her becoming involved with BroadwayWorld where she is thrilled to be writing for the Toronto contingent of the rapidly growing website. When she isn't at the theatre, you can generally find her firmly planted in front of her trusty Blackberry - tweeting, Facebooking or partaking in other such social media activities to ensure that those who want to know are kept apprised of everything that Toronto theatre has to offer. Other interests include movies, art, music, shopping, fashion and martial arts with the occasional foray into the world of finance.

Follow Kelly on Twitter at @broadwaybabyto

Creep her on Facebook: http://www.facebook.com/people/Kelly-Cameron/500187141

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